By William Shakespeare
"I think that i've got spent part my profession with one or one other Pelican Shakespeare in my again pocket. comfort, in spite of the fact that, is the least vital point of the hot Pelican Shakespeare sequence. this is a sublime and transparent textual content for both the learn or the practice session room, notes the place you would like them and the prestigious scholarship of the overall editors, Stephen Orgel and A. R. Braunmuller who take into account that those are performs for functionality in addition to nice texts for contemplation." (Patrick Stewart)
The unusual Pelican Shakespeare sequence, which has offered greater than 4 million copies, is now thoroughly revised and repackaged.
Each quantity features:
* Authoritative, trustworthy texts
* prime quality introductions and notes
* New, extra readable exchange trim size
* An essay at the theatrical international of Shakespeare and essays on Shakespeare's existence and the choice of texts
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Extra resources for The Narrative Poems (The Pelican Shakespeare)
In what follows, reference is exclusively to the bestselling novel, literary sweetmeats. Bestsellers in a good cause – that cause being the sale of more and more books to more and more people. The correct term would be ‘better sellers’, or ‘new books that are currently doing well until something newer comes along’. When the bestseller ﬁrst appeared, at the tail end of the ‘gilded age’ when publishing still prided itself on being a profession for gentlemen, the preferred term for what we now call bestsellers was ‘books in demand’.
Chick-lit than their grand-daughters, and their respective male partners less likely to read Andy McNab than John Le Carré. Regional and generic bestseller lists have been devised. The book trade has not yet (although it surely will) come up with age- or generation-speciﬁc bestseller lists. Bestsellers Revenant bestsellers Even harder than staying at the top of the slippery pole for over a year is the ‘comeback’. Very few novels indeed have ever returned to the bestseller list having lost their position there for more than a year.
His strategy was less to embed his product in the traditional bookstore than to circumvent that outlet entirely. De Graff ’s 25c ‘Pocketbooks’ were, essentially, ‘drugstore’ paperbacks. They had eye-catching illustrative covers, newsprint-quality paper (one notch up from the toilet roll), and, typically, slapdash typography. They were designed to sell less like books (items of civilized furniture) than short-life magazines. And not, necessarily, the more respectable kind of magazine. Since the 1960s, and the subsequent ‘paperback revolution’, the British and the American mass-market paperback have assimilated in terms of appearance and marketing style.