By United States Army Infantry School
A entire textual content from the U.S. military Infantry university that offers information within the education approaches and methods of uncomplicated rifle marksmanship and the quick unarmed approach to fireplace referred to as speedy Kill.
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Extra resources for Principles of a Quick Kill
C. 411]. Photos courtesy of the Staatliche Antikensammlungen und Glyptothek München. arm as if they were shields, an iconographical device occasionally employed for Theseus. Are the hunters Theseus? One cannot say because there is no identifying inscription or deﬁnitive marker of Theseus. Like the Calydonian boar hunt quotation on the black-ﬁgure amphora in Munich (Staatliche Antikensammlungen 1386; ﬁgs. 16–17), this ambiguity in de- Hunting, Warfare, and Aristocrats ﬁgures 22–23. Attic red-ﬁgure cup by the Dokimasia Painter, c.
The use of the boar hunt as a visual simile to battle is especially appropriate because conquest of this ﬁerce animal involved a dangerous physical confrontation. The chariot passing over the wounded or dead warrior is another compositional quotation from Calydonian boar hunt paintings, where the boar moves above a dead or wounded hunter. Again, we may understand this battle image as one that merges myth with generic scene. When read as a whole, the hydria shows hunting and warfare with chariot harnessing sandwiched between.
Another hydria of c. 530–510 by the Alkmene Painter (London, Hunting, Warfare, and Aristocrats 39 ﬁgure 29. Attic black-ﬁgure hydria by the Lysippides Painter, c. C. Paris, Musée du Louvre F294. Photo by M. Chuzeville and C. Larrieu, courtesy of the Musée du Louvre. British Museum B301),91 part of the Antimenes Painter’s Circle, joins deer hunting with depictions of Herakles, his wrestling the Nemean lion and Herakles banqueting. The heroic conﬂict with the lion and the hero enjoying the fruits of his labors seem to offer heroic analogues with the everyday hunter, who also performs a heroic feat.