By Jeffrey D. Mason, J. Ellen Gainor
Acting the USA offers clean views at the improvement of visions of either the USA and "America"--that is, the particular group and the developed concept--on numerous theatrical phases. It explores the function of theater within the building of yank id, highlighting the strain among the need to categorize American identification and the conclusion that such express uniformity may well neither be fascinating nor possible.The issues lined contain the hyperlinks among politics and the level throughout the Federalist interval, the appropriation of "Indian" artifacts, an exploration of early gender roles, and the metaphorical connections among the theater and western growth. different essays deal with vaudeville's artistically colonized cultures; Chautauqua's try to homogenize tradition and commercialize American beliefs; W. E. B. Du Bois's festival, The famous person of Ethiopia, as a technique for developing "African-American" as "Other" in an try and advertise a imaginative and prescient of black nationalism; and the way theater used to be used to assist immigrants shape a brand new experience of neighborhood whereas becoming a member of the resident culture.The assortment then turns to questions of ways quite a few ethnic minorities via their contemporary theatrical paintings have struggled to argue their identities, specifically relating to the dominant white tradition. ultimate essays supply evaluations of contrasting facets of the yankee male.Throughout, the gathering addresses questions of marginality and group, exclusion and inclusion, colonialism and imperialism, heterogeneity and homogeneity, clash and negotiation, repression and chance, failure and good fortune, and, notably, the connection of yankee phases at huge. it is going to entice readers of a variety of disciplines together with heritage, American tradition, gender stories, and theater studies.Jeffrey D. Mason is Professor of Theatre, California country collage, Bakersfield. J. Ellen Gainor is affiliate Professor of Theatre reviews and Women's experiences, Cornell college.
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Additional info for Performing America: Cultural Nationalism in American Theater (Theater: Theory Text Performance)
Ac- cording to drawings and accounts, the design of the Haymarket, while still divided into pit, gallery, and boxes, did not maintain the dramatically separate entrances of the Federal Street Theater, and there were two galleries rather than one, allowing for more low-priced seating. In general the Haymarket was much more capacious than the Federal Street Theater, holding approxi- mately 2,00ooo spectators, in comparison with the older playhouse's capacity of lo6o (Stoddard 65; Alden 12). " Interestingly, writing in 1969, McNamara reproduces all of the eighteenth-century sentiments about the Haymarket; pointing out its lack of "architectural sophistication" and the fact that its name reflected its location adjacent to an actual haymarket, he specu- lates that, although there are no reproductions of the interior, probably "it possessed an auditorium of no great taste or style" (128).
Englewood Cliffs, NJ: Prentice-Hall, 1973. Winsor, Justin. The Memorial History of Boston, 163o-188o. 4 vols. Boston: James R. Osgood, 1883. Wood, Gordon. The Creation of the American Republic, 1776-1787. 1969. New York: W. W. Norton, 1993. ï»¿Rosemarie K. Bank Archiving Culture: Performance and American Museums in the Earlier Nineteenth Century We live in the era of Omnium Gatherum; all the world's a museum, and men and women are its students. -Robert Kerr, The Gentleman's House (1864) Cultural values are gathered in many spaces: in libraries, in theaters, in museums, in parades-indeed, it is difficult to conceive of a site where culture does not accumulate, from individual bodies to readings of the heav- ens, from the oldest of life forms to cells born in this breath of time.
NOTES Research for this essay was supported by a National Endowment for the Humanities Fellowship and by a grant from the Phillips Fund for Native American Studies of the American Philosophical Society. ï»¿5o Performing America i. See Sellers's color reproduction of the painting (121) and the floorplan (217). 2. Regarding normalizing constructs, see Foucault. 3.