By Irvine Welsh
An epic novel in regards to the bonds of friendship from the writer of Trainspotting.
The tale of 4 boys turning out to be up within the Edinburgh tasks, Glue is set the loyalties, the studies, and the secrets and techniques that carry buddies jointly via 3 many years. the lads turn into males: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky arms; Billy the boxer, pushed, managed, taking part in to his strengths; Carl, the Milky Bar child, drifting alongside to his personal soundtrack; and the doomed Gally, awfully thin-skinned and liable to disaster at each turn.
We persist with their lives from the seventies into the hot century—from punk to techno, from pace to E—as they try with the conditioning of sophistication and tradition, peer strain, and their parents’ hopes that perhaps their sons will do larger than they did. What binds the 4 of them is the friendship shaped through the initiatives, their institution, and their ambition to flee from either. Their loyalty is fused in road morality: again up your pals, don’t hit girls, and, most crucial, by no means snitch—on anyone.
Glue has the Irvine Welsh trademarks—crackling discussion, scabrous set items, and black, black humor—but it's also a grown-up publication approximately growing to be up, concerning the manner we are living our lives, and what occurs to us whilst issues turn into unstuck.
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Additional info for Glue (Terry Lawson, Book 1)
19 The women’s talk takes an unexpected turn when they discuss unwise engagements, and Anne ﬁnds herself once more physically overcome, so much so that attending to the rest of their conversation becomes impossible. She hears “nothing distinctly; it was only a buzz of words in her ear, her mind was in confusion” (II, 11, 251). Once again, Anne hears material that comes home to her, that seems to externalize issues of her own internal life. And on this occasion she sees that Wentworth is listening too.
Elton, which is presented in the familiar bare mode—without any indication of how and where it takes place—and Mrs. Elton (hardly “of such true gentility”) is thus in the background of the reader’s as well as Emma’s mind in this passage. Mrs. Elton then comes to the fore, without a break in the paragraph, in the famous passage about strawberry picking. There then follows one of Jane Austen’s very few genuine descriptive paragraphs, and not a very successful one at that, the description of the gardens of Donwell Abbey, and the lime walk, culminating in the “favourably placed and sheltered” Abbey-Mill farm.
During the later eighteenth and early nineteenth centuries a series of scientiﬁc inventions transformed both the availability and the quality of man-made light. These new technologies of light presented challenges as well as opportunities for visual artists and writers. Paradoxically, the new currency of light invested darkness with new signiﬁcance, a signiﬁcance bound up with the cultural phenomenon we know as Romanticism. At this moment when light was ceasing to be a precious, fugitive and friendly thing, and becoming instead a taken-for-granted aspect of modernity, Jane Austen was writing her novels.