By Fred S. Kleiner
As interesting as a true stopover at to the world's recognized museums and architectural websites, GARDNER'S artwork during the a while: THE WESTERN point of view promises a finished, superbly illustrated travel of the world's nice creative traditions--plus all of the learn instruments you want to excel on your artwork heritage direction! effortless to learn and comprehend, this thirteenth version of the main greatly learn heritage of artwork ebook within the English language is the one textbook that features a certain "scale" characteristic (accompanying the book's pictures of work and different artistic endeavors) to help you larger visualize the particular dimension of the works of art proven within the e-book. 3 degrees of assessment together with prolonged snapshot captions, "The significant Picture" overviews on the finish of each bankruptcy, and a distinct international timeline might help you research to your tests. You'll additionally locate fabrics to help you grasp the main issues speedy within the ArtStudy on-line (a loose interactive examine consultant that comes with flash playing cards of pictures and quizzes).
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Additional info for Gardner's Art Through the Ages: The Western Perspective (13th Edition)
1-19). A special feature of the Newgrange tomb is that at the winter solstice the sun illuminates the passageway and the burial chamber. HAGAR QIM Contemporary with Newgrange but on an island far to the south is the megalithic temple (FIG. 1-1) of Hagar Qim, one of many constructed on Malta between 3200 and 2500 BCE and one of the oldest stone temples anywhere in the world. The Maltese builders constructed their temples by piling carefully cut stone blocks in courses (stacked horizontal rows). The doorways at Hagar Qim were built using the post-and-lintel system (FIG.
One of the oldest known sculptures is this large ivory ﬁgure of a human with a feline head. It is uncertain whether the work depicts a composite creature or a human wearing an animal mask. HOHLENSTEIN-STADEL One of the earliest sculptures discovered yet is an extraordinary ivory statuette (FIG. 1-4), which may date back as far as 30,000 BCE. It was found in fragments inside a cave at Hohlenstein-Stadel in Germany and has been meticulously restored. Carved out of mammoth ivory and nearly a foot tall—a truly huge image for its era—the statuette represents something that existed only in the vivid imagination of the unknown sculptor who conceived it.
In fact, the remoteness and difﬁculty of access of many of the images, and indications that the caves were used for centuries, are precisely why many researchers have suggested that the prehistoric hunters attributed magical properties to the images they painted and sculpted. According to this argument, by conﬁning animals to the surfaces of their cave walls, the Paleolithic hunters believed they were bringing the beasts under their control. Some prehistorians have even hypothesized that rituals or dances were performed in front of the images and that these rites served to improve the hunters’ luck.