By Karen Hellekson, Kristina Busse
Enthusiasts were responding to literary works because the days of Homer's Odyssey and Euripedes' Medea. extra lately, a few technology fiction, delusion, media, and online game works have stumbled on dedicated fan followings. the appearance of the web has introduced those teams from quite restricted, face-to-face corporations to simply available worldwide groups, during which fan texts proliferate and are greatly learn or even extra commonly commented upon. New interactions among readers and writers of fan texts are attainable in those new digital communities.
From Star Trek to Harry Potter, the essays during this quantity discover the area of fan fiction--its reasons, the way it is created, how the fan reviews it. Grouped by way of material, essays disguise themes resembling style intersection, sexual relationships among characters, personality development via narrative, and the position of the beta reader in on-line groups. The paintings additionally discusses the terminology utilized by creators of fan artifacts and reviews at the results of technological developments on fan groups.
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Extra info for Fan Fiction and Fan Communities in the Age of the Internet: New Essays
It is the main aim of the research in this chapter to find out whether the mainstream media coverage of the Lee Rigby murder and the Reporting the Lee Rigby Murder 33 anti-Muslim protests and hostility fall-outs tended to result more from intercultural communication or cultural clash communication. For the rest of this section I will look at intercultural communication as it relates to peace journalism and human rights journalism. First, what do we mean by intercultural communication. Klyukanov (2005) defines culture in terms of values and beliefs associated with groups based on gender, religion, nationality, ethnicity, or physical ability/disability.
P. 253) An Intercultural Peacebuilding Framework 17 We defined cultures as: … multi-level, dynamic and often contested communication structures and processes that evidence subject positions and past, present and future itineraries. Any encounter, site or period of time involves multiple cultural identifications, representations, structures and contextual factors. Cultures emerge as personal accounts and narratives, social interaction patterns that produce relationships between groups, institutional discourses, organizational policies and practices, and media discourses that circulate and form a momentary context.
Broome and M. J. Collier (2012) ‘Culture, Communication, and Peacebuilding: A Reflexive Multi-Dimensional Contextual Framework’, Journal of International and Intercultural Communication, 5, 243–269. M. J. Collier (2014) Community Engagement and Intercultural Praxis: Dancing with Difference in Diverse Contexts (New York City, NY: Peter Lang). M. J. Collier, R. Hegde, W. Lee, T. Nakayama, and G. Yep (2002) ‘Dialogue on the Edges: Ferment in Communication and Culture’ in M. J. ) International and Intercultural Communication Annual: Transforming Communication about Culture 24 Vol.