By Susan Ruddick Bloom
If you happen to already recognize your manner round Photoshop and Painter and need to exploit those impressive courses to take your abilities extra, this e-book is for you! even more than an easy "how-to" advisor, Susan Ruddick Bloom takes you on a full-fledged trip of the mind's eye and exhibits you ways to create exceptional works of excellent paintings. Supplemented through the paintings of 20+ global well known artists as well as Sue's personal masterpieces, you'll the best way to create watercolors, black and white pencil sketches, texture collages, wonderful practical and fantastical collages, and a lot more, all out of your unique photos. while you are wanting to dive into the area of electronic paintings yet desire a refresher at the fundamentals, turn to Sue's crucial thoughts bankruptcy to comb up in your Photoshop and Painter talents, and you'll be in your approach very quickly. even if you're a beginner or a longtime electronic artist, you'll locate extra artistic principles during this publication than you may ever think. absolutely up-to-date for brand new types of Painter and Photoshop and together with fresh paintings from modern artists, electronic university and portray presents all of the concept you must convey your inventive imaginative and prescient to mild.
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Additional resources for Digital Collage and Painting: Using Photoshop and Painter to Create Fine Art
1-19). A special feature of the Newgrange tomb is that at the winter solstice the sun illuminates the passageway and the burial chamber. HAGAR QIM Contemporary with Newgrange but on an island far to the south is the megalithic temple (FIG. 1-1) of Hagar Qim, one of many constructed on Malta between 3200 and 2500 BCE and one of the oldest stone temples anywhere in the world. The Maltese builders constructed their temples by piling carefully cut stone blocks in courses (stacked horizontal rows). The doorways at Hagar Qim were built using the post-and-lintel system (FIG.
One of the oldest known sculptures is this large ivory ﬁgure of a human with a feline head. It is uncertain whether the work depicts a composite creature or a human wearing an animal mask. HOHLENSTEIN-STADEL One of the earliest sculptures discovered yet is an extraordinary ivory statuette (FIG. 1-4), which may date back as far as 30,000 BCE. It was found in fragments inside a cave at Hohlenstein-Stadel in Germany and has been meticulously restored. Carved out of mammoth ivory and nearly a foot tall—a truly huge image for its era—the statuette represents something that existed only in the vivid imagination of the unknown sculptor who conceived it.
In fact, the remoteness and difﬁculty of access of many of the images, and indications that the caves were used for centuries, are precisely why many researchers have suggested that the prehistoric hunters attributed magical properties to the images they painted and sculpted. According to this argument, by conﬁning animals to the surfaces of their cave walls, the Paleolithic hunters believed they were bringing the beasts under their control. Some prehistorians have even hypothesized that rituals or dances were performed in front of the images and that these rites served to improve the hunters’ luck.