By Carol Dix (auth.)
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Additional resources for D. H. Lawrence and Women
H. Lawrence and Women 42 instance, when she meets and is attracted to Gerald: 'to Gudrun it was a real delight, in make-belief, to be the childlike, clinging woman to the man who stood there on the quay, so good-looking and efficient in his white clothes ... ' (WL, p. 183). Romantic fantasy for her. She and Ursula talk a lot in the early part of the novel about their ideas on marriage. When Ursula rejects Sirkin's marriage proposal- it seems too much as if he has chosen her to live out his ideal, his idea- Gudrun says, 'I think it would be too wearing, too exhausting.
Ursula is Lawrence's woman who becomes self-responsible, who takes the journey that Lawrence himself has to take. She is the central character in all his work. Lawrence does not hide the fact either. He describes her type of independence: She knew that soon she would want to become a self-responsible person . . An all-containing will in her for complete independence, complete social independence, complete independence from any personal authority, kept her dullishly at her studies ... she knew that she had always her price of ransom - her femaleness .
Then she let him lift her down bodily. '- she mocked, although she had invited him with her eyes to take her in his arms ... With her whimsical moods she tormented him. ' ... She was too swift for him (WP, p. 242). Lettie and George weep and try again to work out where they went wrong. Some of their love scenes are the tenderest and most excrutiating anywhere. But the reality sets in. Cyril explains some of what happens to Lettie. This is Lawrence projecting, on a young woman of his day, the same fate that beset the women of his mother's generation, if they did not manage to get out.