By Frank Mort
First released in 1996. Routledge is an imprint of Taylor & Francis, an informa corporation.
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Additional info for Cultures of Consumption. Masculinities and Social Space in Late Twentieth-century Britain
4° Elms 'disinformed' readers every month with a bricolage of social and political counter-gossip. He was optimistic about the possibilities which could be marshalled under the banner of style. There was a world to be won in the fast approaching 'style wars' . The established order would be turned upside-down, for the future belonged to a different type of democracy. Listen to the same theme, proclaimed with tongue-in-cheek missionary zeal in the article, 'New England', which appeared in the August edition for 1986: .
With partner Stuart Jensen, Brody formed the agency FontWorks UK in 1990, to cater for the fast-growing demand for digital typefaces. He was by no means unique in his career trajectory, nor in his success. Other design contemporaries benefited from a similar combination of art school or polytechnic training, with its mixture of avant-garde emphases, commercial practices and influences drawn from contemporary youth culture. 8' In most cases, a period of work at one or other of the style magazines consolidated the reputations of these graphic artists.
In the scramble for success, it was precisely the understanding of herself as being on the outside which gave her an edge over the competition. These credentials provided her with a major reserve of cultural capital. Throughout the 1 9 8os Burchill spoke in a variety of tongues, which drew heavily on the the language of popular culture. 95 Burchill always claimed it was her low origins which gave her writing its cutting edge. Such motifs of ambition were hardly original, they had figured repeatedly in the narratives of working-class heroes since the literary phenomenon of the 'angry young man' in the 1950s.