By Tianyu Cao, Xueping Zhong, Liao Kebin, Ban Wang
As China enters the second one decade of the twenty first century, it faces great demanding situations and quandary. How did China arrive at this element of obstacle? How will we comprehend the character of the demanding situations? greater than any latest learn of reform-era China, this quantity bargains a theoretical dialogue of the cultural and social roots of the reform. It does so for the aim of extra exploring even if it truly is attainable to visualize choices. members to this moment quantity of tradition and Social changes in Reform period China handle those questions by means of exploring one of the most contentiously debated subject matters together with liberalism, human rights, rule of legislation, the country, capitalism, and socialism."
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Extra info for Culture and Social Transformations: Theoretical Framework and Chinese Context
The Marxist conception of history departed radically from this view. 9 9 Arif Dirlik, Revolution and History: The Origins of Marxist Historiography in China, 1919–1937 (Berkeley: University of California Press, 1978), 8–9. 30 nan fan This turn from a supra-historical conception of morality was a turn toward recognition of the whole society. Liang Qichao’s understanding of the "new person” and group governance, and Lu Xun's reform of the national character, sought to rescue spiritual culture, but Marxism pointed from afar at political and economic systems.
The replacement of revolution with enlightenment, and then with market economy, parallels the changes of the social discourse system. Many important events help to explain these changes. Relatively speaking, the reemergence of modernism is inconsequential. Moreover, many people recognize only the threat that modernism poses to realism and consider a local debate of literary criticism not worthy of being connected to changes in social discourse. However, we must at least consider that modernism’s intention to discard realism does not end with experimental literary forms.
However, this description may invite great disagreement, especially with the current popularity of postcolonial theory. Many people point out one important oversight: why does the relationship between European modernism, imperialism, and cultural expansionism disappear outside the realm of theory? The enthusiasm and silent acceptance with which modernism is supported eliminates any opposition to cultural hegemony. Today, critics modernism, modernity, and individualism 23 have discovered that modernism’s various formal experiments conceal the fear that local peoples will struggle against imperialism; that modernism is saturated with fascists, male chauvinists, and racists; and that modernism usually enters a country on the heels of economic pillaging, its aesthetic exoticism serving as a smoke grenade to conceal the invasion.