By Robert Louis Stevenson
* ALL 12 Novels and all up-to-date with concise introductions, giving worthwhile contextual information
* the various texts are illustrated with the unique Victorian paintings, together with TREASURE ISLAND and DR JEKYLL AND MR. HYDE
* each brief tale and brief tale collection
* entrance no-nonsense contents desk permitting effortless navigation round the massive file
* Texts organised into scholarly chronological order and divided into literary forms
* the full poetry and plays
* all the collaboration works with different authors
* Even contains the total letters, with their contents table
* hundreds of thousands of pictures with regards to Stevenson’s existence and works
* The textual content has been rigorously formatted in your enjoyment
* various pictures regarding Stevenson's lifestyles and works
* at the very least 3 BONUS biographies – discover Stevenson’s adventurous lifestyles by means of modern biographers – all with their very own precise contents tables
Read or Download Complete Works of Robert Louis Stevenson PDF
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Extra resources for Complete Works of Robert Louis Stevenson
In what follows, reference is exclusively to the bestselling novel, literary sweetmeats. Bestsellers in a good cause – that cause being the sale of more and more books to more and more people. The correct term would be ‘better sellers’, or ‘new books that are currently doing well until something newer comes along’. When the bestseller ﬁrst appeared, at the tail end of the ‘gilded age’ when publishing still prided itself on being a profession for gentlemen, the preferred term for what we now call bestsellers was ‘books in demand’.
Chick-lit than their grand-daughters, and their respective male partners less likely to read Andy McNab than John Le Carré. Regional and generic bestseller lists have been devised. The book trade has not yet (although it surely will) come up with age- or generation-speciﬁc bestseller lists. Bestsellers Revenant bestsellers Even harder than staying at the top of the slippery pole for over a year is the ‘comeback’. Very few novels indeed have ever returned to the bestseller list having lost their position there for more than a year.
His strategy was less to embed his product in the traditional bookstore than to circumvent that outlet entirely. De Graff ’s 25c ‘Pocketbooks’ were, essentially, ‘drugstore’ paperbacks. They had eye-catching illustrative covers, newsprint-quality paper (one notch up from the toilet roll), and, typically, slapdash typography. They were designed to sell less like books (items of civilized furniture) than short-life magazines. And not, necessarily, the more respectable kind of magazine. Since the 1960s, and the subsequent ‘paperback revolution’, the British and the American mass-market paperback have assimilated in terms of appearance and marketing style.