By Angela Dalle Vacche
The visible photo is the typical denominator of cinema and portray, and certainly many filmmakers have used the imagery of work to form or increase the that means in their movies. during this discerning new method of cinema experiences, Angela Dalle Vacche discusses how using pictorial resources in movie allows 8 filmmakers to touch upon the interaction among the humanities, at the dialectic of be aware and picture, at the courting among creative creativity and sexual distinction, and at the rigidity among culture and modernity.
Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's cut up allegiances among East and West (Five ladies round Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's undertaking to express interiority via pictures (The Marquise of O), F. W. Murnau's debt to Romantic panorama portray (Nosferatu), Vincente Minnelli's affinities with American summary Expressionism (An American in Paris), and Alain Cavalier's use of nonetheless lifestyles and the close-up to discover the nation-states of mysticism and femininity (Thérèse).
While addressing problems with effect and intentionality, Dalle Vacche concludes that intertextuality is imperative to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting artwork historical past, defines itself when it comes to nationwide traditions and generally shared visible cultures.
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Extra info for Cinema and Painting: How Art Is Used in Film
1 I — X / •"^^ V^gC-r^^ 28 c W * Q: s . S Ssci Duane Hanson: Bowery Derelicts (1967) 29 Duane Hanson 30 : Artist Seated (1972) JOHN de ANDREA Born 1941 in Denver, Colorado. Graduated from the University of Colorado in 1965. Taught drawing and painting at the University of New Mexico 1956-1958. Residence Denver. : First exhibition 1970. Arden Ardenson and Nora Murphy (1972) 13 3/4"x36 3/4"x25 2/3". 31 RICHARD McLEAN Born 1934 in Hoquiam, Washington. Teaches at San Francisco State College, California.
JOHN RUMMELHOFF Born 1942 in Minnesota. in 1964 at the First exhibition Art, Museum Sink (1972). of Montgomery, Alabama. 55 CHUCK CLOSE Born 1940 in Monroe, Washington. First exhibition Massachusetts. 56 1967 at the University of Susan (1972) 38 3/4" x 34 3/4". John (1971-72) 39" x 35' Paper and Wood (1972) 13 3/4" x 9 1/4". HOWARD KANOVITZ Born 1929 in Fall River, Massachusetts. Studied at Providence College, Rhode Island. First exhibition 1962 at the Stable Gallery, New York. 58 , 'WH^Mf-M ',.
31 RICHARD McLEAN Born 1934 in Hoquiam, Washington. Teaches at San Francisco State College, California. First 32 personal exhibition 1957 at the Lucien Labaudt San Francisco. Gallery, ^)ft» jmm*-*t* Persimmon Hill (1972) 23" x 23". ^^flfc* *"*** *^ sm^^ \ltkt£**<*m» Char's Powderface (1969) 18 1/2" X 22 1/2' 3< RI0HT1 BLOCK STOPLIGHT HAROLD GREGOR Born 1929. Lives in Bloomington, Illinois. Has exhibited since 1963 at Purdue University. --L^ AV4*? Illinois Barn series : Steve's cafe (1972) 16 1/2" x 25 1/2".