By Herbert Bayer, Walter Gropius, Ise Gropius
Bauhaus 1919-1928 is still essentially the most helpful money owed of the Bauhaus university. The booklet used to be released together with the Museum of contemporary paintings exhibition (December 7, 1938-January 30, 1939) and is a point-for-point checklist of exact courses and initiatives on the Bauhaus, ready via Herbert Bayer less than the overall editorship of Walter Gropius and Ise Gropius and with the collaboration of a dozen different Bauhaus lecturers — together with Kandinsky, Klee, Feininger, Schlemmer, Itten, Moholy-Nagy, Albers, and Breuer. instead of a retrospective historical past, it's a selection of photos, articles, and notes ready at the box of motion. it can be regarded as a lot a piece of the Bauhaus because it is a piece approximately it.
Includes paintings by means of the entire Bauhaus school together with Walter Gropius, Paul Klee, Wassily Kandinsky, Laszlo Moholy-Nagy, Marcel Breuer, Herbert Bayer, Josef Albers, Lyonel Feininger, Oskar Schlemmer, Hannes Meyer, Mies van der Rohe, Anni Albers, Otti Berger, Gunta Stolzl, Max invoice and lots of others.
The exhibition gave the 1st accomplished assessment of the advance of the institute lower than Gropius (no fabric from the later Bauhaus was once shown). education and technical preparations have been entrusted to Herbert Bayer, paving the way in which for his personal emigration to the USA almost immediately afterwards.
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Extra info for Bauhaus 1919–1928
He was an urushi master who adapted foreign influences to create an original Japanese style and who worked in his own way without relying on any authority. The renowned masters of the Edo period can be separated into two groups: those under the protection of the Tokugawa shogunate and those living outside bureaucratic con trol. Chokan is a typical example of the latter group. The objective attitude he showed in his study of work by others and in his own work gives him the outlook of a modern artist.
24. Shazhou County Cultural Office 1981 "Jiangsu Shazhou chutu baoyin zhutai qiwan" (A lacquer bowl with a silver lining and bamboo body excavated from Shazhou, Jiangsu). Wenwu 8:39. Shen, Zhongchang 1961 "Sichuan Deyang chutu de Songdai yinqi jianjian" (Brief report on the silver objects of the Song dynasty excavated at Deyang, Sichuan). Wenwu 1 1 :48-52, Fig. 6. Tokugawa Art Museum and Nezu Institute of Fine Arts 1 984 Carved Lacquer, No. . Tokyo National Museum 1977 Toyo no shikkikogei, No.
Central storehouse 8-2,3. Two Chinese swords mounted with gold and silver (Fig. 7 a,b) . 2. Central storehouse 8-4. A sword mounted with gold and silver. Gold and silver heidatsu in ivory and animal design (Fig. 8) . 3. Central storehouse 88. A mother-of-pearl inlaid box (Fig. 9). 4 . Central storehouse 138. Two kawabako (leather boxes) decorated with gold and silver heidatsu (Fig. 1 0) . 5 . Central storehouse 1 6 4 . A n inner tray decorated with silver heidatsu (Fig. 1 1) . 6. South storehouse 70-5.