By Justin Clemens
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Stylistics: Prospect & Retrospect seems backward towards vintage and foundational ways and texts that helped to set up the sphere of stylistics. It additionally seems ahead by means of analyzing fresh ideas that appear prone to adjust the ways that sort is studied within the future years. The essays offered the following, written by way of an array of specialists from 9 international locations on 4 continents, hire quite a lot of ways to works that diversity from romantic poetry to modern fiction and from conventional folktales and nursery rhymes to modern movie.
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Additional resources for Avoiding the subject : media, culture and the object
When we download an MP3 of Metallica’s Master of Puppets, for instance, and proclaim it to be artistic appropriation, how are we to be distinguished from Sherry Levine? Or what if we download the entire Entroducing album and then release it under our own name? ”7 2. The Girl From Ipanema vs. ’ At the consoles of our stereos, armed with our tuners, amplifiers and speakers, we mix, adjust settings, multiply tracks in pursuit of a flawless sound. Is this still music? Where is the high fidelity threshold beyond which music disappears as such?
Indeed, if pressed, the children may say that the hat serves as a kind of burrow leading to a parallel universe populated by bunny rabbits; suggesting that the particular bunny on stage is a kind of tourist in our own dimension. ” 59 Chapter 3: The Elusive Object 60 Doubtless, once again, a hamster or a dove could serve the same function as the rabbit, but for some mysterious reason the latter is the creature endowed with the greatest symbolic weight. ”, we are actually using this question as a portal to understand the psychosocial subtext of a particular genealogy involving rabbits as ontologically unstable, virtual creatures.
Indeed, perhaps it is only our advanced anthropocentrism that assumes the cotton-reel of the famous fort-da game is a metaphor for the mother, rather than the cognitive trigger for thinking through the more fundamental drama of simply Being and Non-Being tout court. Similarly, we could consider the notion that it is the unsettling presence of objects which disturbs our underlying categories of Being, categories which are more cultural-historical than ontological. Like those landowners in the American South, who could never quite shake off the unpleasant recognition and proximity of their slaves (that is, their property), we laugh uncomfortably at puppets and scarecrows and other mimics of self-posited subjectivity.