By Jenny Pearson
My desire is this publication can assist to open up a brand new readership for [Charles Rycroft]--not a following, that's the very last thing he would wish, yet an open-minded readership of people that wish encouragement to move on pondering their very own method throughout the deeply releasing event of psychotherapy. there are many humans round who're keen to inform us what psychotherapy is, what occurs or should still ensue among therapist and sufferer, what occurs among moms and infants and so forth. There will not be such a lot of who motivate therapists to be in uncertainties, mysteries, doubts, with none irritable attaining after truth and reason", within the phrases Charles beloved to cite from the poet John Keats. this can be the artistic place, the only during which it really is attainable to move on asking the query "What is psychotherapy?" with out unavoidably discovering a solution to it." -- From the IntroductionCharles Rycroft’s lucid jargon-free method of psychoanalysis encouraged a complete iteration. Taking notion from many fields outdoor psychoanalysis, together with background, literature, linguistics and ethology, he confirmed the $64000 hyperlink among psychological future health and the mind's eye, making a broader viewpoint and inspiring unfastened considering. This solitary and artistic “rebel” infrequently obtained the popularity he deserved, yet this selection of articles and papers via those that felt the good thing about his ever-curious, increasing wealth of information, is going a way to acknowledging the debt owed to him, and introducing a brand new new release to this cutting edge analyst.Contributors contain Margaret Arden, Harold Bourne, Susan Budd, Vincent Brome, Robin Higgins, Jeremy Holmes, Edgar Jones, R.D.Laing, John Padel, Jenny Pearson, Paul Roazen, Anthony Storr, John H.Turner, Maryon Tysoe and Dudley younger.
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Extra resources for Analyst of the Imagination: The Life and Work of Charles Rycroft
At this point Charles was a rising star of the psychoanalytic establishment. But he soon began to react against time spent on committees and administrative work, which was often boring (see his account of training committee meetings in “Reminiscences of a Survivor”—chapter 15) and took up energy that he was eager to direct towards thinking and writing. Pearl King, a contemporary of Charles’s who holds the history and documentation of the Society at that time, recalls his analyst Sylvia Payne saying that too much responsibility was heaped on Rycroft too early in his career.
There are letters from Winnicott to Charles commenting on his early papers and arranging informal meetings between the two of them. Marion Milner, originally under the pseudonym “Johanna Field”, wrote a book On Not Being Able To Paint (1950), which Charles valued for the light it throws on the creative process. She was one of his supervisors in training, and she was his chosen analyst when he went back into analysis in search of the roots of his creativity in the 1970s. Looking back on Charles’s early days as a practising analyst, it is almost possible to see these three as an informal, loosely knit group, drawn together by a shared interest, exchanging ideas, and all writing independently on the theme of imagination.
This notion of historical determinism, with its flavour of the Marxism he imbibed at Cambridge in the 1930s, is balanced by a second major influence: the existential tradition, which can be summarized in the early Marxist idea that man makes himself, on the basis of prior conditions. I am not sure how intellectually enamoured Rycroft was with the sometimes obscure and rambling writings of “continental” philosophy, but he refers frequently to existentialism, and Rollo May, and, of course, his analysand Laing, get major entries in the Critical Dictionary.