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By day, Shi Yeon is an employee at a natural history museum. Carol Clover argues similarly that, "The spiritual debt of all the post-1974 slasher films to Psycho is clear, and it is a rare example that does not pay a visual tribute, however brief, to the ancestor—if not in a shower stabbing, then in a purling drain or the shadow of a knife-wielding hand" (194). Film Journal. 1 (10): [no pagination]. 2004 Oct. "The Cronenberg Monster: Literature, Science and Psychology in the Cinema of Horror."

Pages: 96

Publisher: CreateSpace Independent Publishing Platform (January 4, 2015)

ISBN: 148486476X

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